New Trends in Mobile Filmmaking
/Mobile Filmmaking that sounds terrible, right? Those of us who are filmmakers might cringe at the thought of making a film, show, or commercial with an iPhone right? I’ll be truthful I do. We all think we’re Martin Scorsese and take our filmmaking almost religiously. That being said mobile filming is getting better and better with more quality results. If you can’t afford it or you're in a situation where you can’t always be lugging around a professional camera and gear then maybe you might want to consider going the mobile filmmaker route.
Moment
Moment is a company that produces some really high-quality products. I bought one of their lenses and it’s made of real metal and glass and not plastic like so many other options on the market. It did a great job and I was happy with the results. I purchased a 60mm lens and when placed on the iPhone’s zoom lens it worked well. When put on the wide lens of the iPhone there was a slight vignette around the edges. Again it worked well on the 2.5x zoom lens on the iPhone.
I also purchased the mini boom mic that attaches to the iPhone and I thought it did a nice job picking up my voice while recording a video. Moment sells several different lenses and I would definitely purchase another one if and when I advance my mobile gear. They have a 14mm fish-eye lens, an 18mm wide lens, a 58mm telephoto, and an anamorphic lens. Moment also sells many other types of gear such as gimbals, cages, phone mounts, and more.
There is some interesting advancement in mobile cinematography reported by the “CineD” website. In the article, they are testing and exploring the options of attaching a full-sized anamorphic cinema lens to an iPhone 15 Pro. What!? Cool huh? The question on their minds is, with new advances in cage designs and technology aiding you, how good would your footage look recorded with an iPhone Pro but with the attachment of a professional lens? The results of the test looked quite good. The iPhone doesn’t have a professional-grade sensor so you can only go so far with the quality. But if you are shooting for commercial purposes, you might get by with an iPhone, the new attachment technology, and a series of pro lenses. Obviously in this advancement in mobile technology don’t forget about the importance of having good audio lighting and movement. The other elements of filmmaking will come into play and must be well represented whether you are shooting with a RED cinema camera or the one currently in your pocket. The future of mobile filmmaking is here and seems to be only getting better which is to be truthful kind of exciting. Don’t tell Scorses I said that.
Read the article here and learn more about the advances in mobile filming. https://www.cined.com/iphone-15-pro-anamorphic-experiment-what-makes-a-cinema-camera-by-michael-cioni-strada/